Sunday, 11 February 2024

WIN AN ORIGINAL INK DRAWING..

 

Every Print Purchase from   https://www.ianrpearsall.co.uk/category/reproductions   qualifies for the opportunity to win 'Beehives (in Blue)' ORIGINAL Drawing shown in the photograph. Unframed. Sized 23.4 x 33.1 inches on Snowden Cartridge.

The draw will take place on April 5th 2024 at opening of the 'Terra - Exhibition' at The Potter's Club.

With EACH PRINT (automatically Two entries with the 2 for 1 print offer), a ticket reference number will be issued and sent to you with the purchase. The reference will be logged along with your name and address until the draw is made.

The winning ticket reference number will be announced on Twitter and on the website.
You do not have to get in touch if you have won: the Original Ink Drawing will be sent directly to you.

There is no limitation to the number of prints purchased before 04th April 2024.

If the print/s is/are returned; as is in full accordance with your rights as a consumer within the time period outlined in the Terms ànd Conditions of Sale, for the reasons outlined in the Terms and Conditions of Sale then the reference number will be excluded from the draw accordingly.

There will be no cash substitute, or alternative prize offered in place of the Original Ink Drawing.
 
FREE POSTAGE in the UK, USA & Canada and Europe .. Customs duties might be applicable upon exported prints and is the responsibility of the customer.

Two for One Print offer applicable from February 22nd until April 4th 2024 with code SPRING241 at the Checkout. Any print purchased after this date will not be eligible for the offer or the competition draw.

Competition only applicable in UK, USA & Canada and Europe 

 

Enjoy .. 





Saturday, 13 January 2024

Meakins and the Summer.

 

My time at J & G Meakin Eagle Pottery Works (to give it's full and historic name) is a great memory. It was only very brief but it's filed in the memory under 'good times.'  Student days; staying at my folks little new house in Franklyn Street following their recent move back to the UK, and home of Stoke-On-Trent; the family abode back from Polytechnic for the Summer to earn some term time money. I've never really had an job I would call worthy but the best times in work are sometimes a lot simpler than job satisfaction and more about great people. Somehow, as things do, a little gang of us formed in the Meakin fold. For one, a chap from Stoke poly studying sculpture and big into Hendrix named Tristram, as I recall. A long haired chap named Neil who was a full-time Meakins man of myriad jobs around the business who started frighteningly early because he'd got the cleaning contract too! By frighteningly early I mean earlier than me and my starting at Six am which was ungodly for a hippie Art student in the making like me.

Big Chris who wouldn't have looked out of place in Motorhead. Big. Big hair. Big 'tache and biker's jacket adorned with heavy metal trophies; and strangely, in this quite ruffled motley crew of big hair and leather there was a quite lovely young lady. A full time Meakins employee in the role of Quality Selector, who's name most tragically is lost to memory. All that does remain is the memory of her bubbly good humour; award winning smile, fresh faced good looks and mysterious kinship to the smelly club that we must have been.
  My role within Meakins was as basic as could be, and as boring as hell with the clock stopped. In essence, I had to pick up selected ware on a pallet on my trusty pallet truck and transport it from one side of the canal via a series of corridors and lifts,  and over a bridge to the other side of the canal to a constant and loudly vocal and driven roomful of ladies (some wouldn't say that!) fulfilling orders with it - and by the shouting, they were being paid by the piece! They wanted ware piled up before them constantly. Driven, to my tired.
   Such relentlessness was puntuated twice in the day and very much looked forward to it was! Firstly, for the most amazing cooked breakfast I have ever had the privilege to eat- canal side in the morning sunshine to laughter and banter.  Again for a Lunch break, for which I sloped over the road to the company cricket pitch, to lie on the soft manicured grass in the shade of a tree for a lovely snooze. My Dad always said that it was strange how memory never remembers the rainy days and my time at Meakins was Summer in every way as I remember it.  
  At the beginning and at the end of the shift the entire workforce all filed through the reception to stamp our cards in the works clock machine. On the way out, it was company policy that folk could be selected at random to be checked for ware being potentially stolen. Neither clocking in nor out was a lesson in civilised protocol.. that stamp on the clock card is the money! Livelihoods.  I never really thought of it like that at the time because it never particularly bothered me so long as a mark had been made on the card, and that I was the right side of the time, but it was a tumultuous ordeal. Perhaps it was because I was employed there via an agency, as were Chris and Tristram, that no clock stamp for the company was ever going to be contentious. I don't know! 
The clock ground around an everlasting week. The job was in no way unpleasant,  but there was a lot of it.
  Every Friday, on early finish, we walked up to Hanley to collect our pay packets. We walked as the group I named above, first stopping in The Ivy House Pub on Bucknall Road for a pint celebrating the week done! How easily pleased we were.

    In town, after visiting the agency office for more banter with the staff in the office.. and the money of course .. we'd go for a couple in The Market Tavern. 
  On a Friday at the end of the month we'd collectively take a trip to The Highwayman Pub out Cheadle way on the bus .. and club together for a taxi back to Hanley!!

  The Summer passed and on my very last shift I was humorously informed that it was 'company procedure' to be dunked in the canal as a fond farewell. Health & Safety had infiltrated it's way into the workplace by then, so it actually transpired that I was taken into a disused part of the operation to an execution squad style drenching by everyone who'd possibly got a bucket! Did everyone have a bucket? Seemed like it!
  Afterwards we still all walked up to Hanley in the Summertime honoured way ...soaked through and all.

   It all ended there. None of us stayed in touch and it was never repeated. That was the way before social media means we can now all keep connected. A chapter.

  I sometimes wonder what happened to all involved; how their lives panned out. They are out there somewhere and now Meakins has long gone. 

    The beautiful memory. Meakins and the endless Summer.





The significance of walking a City is the real seeing of it: https://www.ianrpearsall.co.uk/category/sixtownssketchbook

    

Wednesday, 10 January 2024

Meniscus : Collaboration

    When I arrived at College in 1984 I'd been in the UK Three months.

   I was Sixteen and knew nothing about the UK; nothing except for an idyllic life in Malawi growing up in a life of tennis courts, great friends and private pools, sunshine and a boring school.
  I knew nothing about life. 
  Phil Shallcross was on the streets of Stoke-On-Trent photographing the real beginning of the post-industrial decline in The Six Towns.
  Slum clearances; derelict potbanks, and pit heads rising above the terraced houses of it's employees were the subjects he was processing in the darkroom labs of Newcastle-Under-Lyme College under the tutelage of 'Darkroom Dave' Heath... A tutor we shared in our separate career choices. When Dave knew you had the instinct for photography he pushed you to keep shooting and keep processing, to keep looking for the story that every photograph needs to make it live it's own life. 'The photograph has to the tell the story' was his mantra.
  That's what Phil's photographs do. They are the story. 

  We didn't meet at College. The darkroom at College was common ground to the both of us but we were world's apart and heading in different directions. 

 I was studying painting for 'A' Level.

 A career choice suggested to me by a man in an office in Trinity House, an unloved tower block now long gone, up Hanley. I attended the interview with my Mum and my Gran. It was the new way, the man said.. further education.. the life of the pits was doomed; pottery, dead end.. there was a new future ahead. College.
  And so it was. He saved me from the pits and the dust and I didn't even know it.

 Before I left for the UK my Dad said, 'here's a thing it might be useful to know as you've made your decision to live in the UK; it'll be useful I feel.' 'Son, you come from a working class history.'

  I didn't know what that meant.

   We met through Twitter; neither of us can remember the precise circumstances of striking up a conversation but when we did we got to work pretty quickly, which must be a reflection of a mutual energy that came about with this city as the catalyst.  

  I asked Phil if he'd like to collaborate on the 'inner Geographies' of Edgar Broughton's album, for which I saw a whole new way of visual thinking following an intimation by Edgar himself. The seed of the results came from Edgar, in 'digital paintings' of his he'd shown me. Edgar mentioned 'inner Geographies' which sent my imagination into overdrive. It led to the album design completion beyond the album cover .. 

Anyhow ... attention evolved,  as it always does, to work beyond the horizon. 
Edgar and I have been collaborating for a number of years on the relationship of soundscapes in a backdrop of the mythical landscape. The landscape moved.. into an urbanscape. The post-industrial urbanscape of my grounding; Phil's grounding .. and Edgar's desire of dark sound! 

The results thus far are the smashing together of three bodies of work through a digital marriage made in the furnaces of the gods! 

This will be the work in print; through which the soundscapes can be accessed : https://www.ianrpearsall.co.uk/product-page/meniscus-book

Looking forward ..

Edgar Broughton : http://www.edgarbroughton.com/


Soundscape Collaboration in the Landscape :

The Shaman and the Dog Soldier

Hedgerow Battle

The Secret Lake

The Great Hunt across the Sky

The Brutal & Fabled Box :




Tuesday, 9 January 2024

Breaking : Entering

 


Climbing over fences; crawling under gates..
We weren't the first by a long stretch.
Grottos of smashed interiors and graffiti all over the walls.
The Michelangelo's of skateboarding gangs and feral enterprises..
Evidence of historic workaday existences evident!
Leaky roofs and office lakes; cold and no fish.
Filing cabinets full of abandoned paperwork; mugs, kettles.. shoes!!
Plaster molds and smashed pottery by the square yards ... 

Packing crates and dead tape guns ..
Shuttered doors long shuttered for good!
Windows more see-through by the absence of glass.
Cigarette butts and ashtrays. 
Silence.
Spirits of former employment, moved on ..